SIGMATROPIC – Sixteen Haiku & Other Stories – CD2+ limited – LIFT071

9,90 

1.1 / Introduction (‘On Stage, 2’) / 2:42
1.2 / Haiku One / 2:34
1.3 / Haiku Two / 2:28
1.4 / Haiku Three / 2:18
1.5 / Haiku Four / 2:40
1.6 / Haiku Five / 3:14
1.7 / Haiku Six / 2:28
1.8 / Haiku Seven / 2:13
1.9 / Haiku Eight / 1:57
1.10 / Haiku Nine (‘Young Fate’) / 3:03
1.11 / Haiku Ten / 1:21
1.12 / Haiku Eleven / 2:11
1.13 / Haiku Twelve (‘Unprofitable Boat Line’) / 2:09
1.14 / Haiku Thirteen (‘Sick Fury’) / 2:09
1.15 / Haiku Fourteen / 3:59
1.16 / Haiku Fifteen / 2:37
1.17 / Haiku Sixteen / 1:44
1.18 / Dead Sea / 4:41
1.19 / Water Warm (‘Sketches For A Summer’) / 2:59
1.20 / This Human Body / 5:14
1.21 / The Jasmine / 3:32
Videos
1.22 / Videoclip / 6:02
1.23 / Outtakes / 2:11

2.1 / Intro (Rhodes Mix) / 3:34
2.2 / Haiku 1 / 2:37
2.3 / Haiku 6 (Vangelis Zisis Mix) / 2:17
2.4 / Haiku 13 / 2:10
2.5 / This Human Body (Antonis Livieratos Mix) / 6:07
2.6 / Dead Sea (Original Sigmatropic Version) / 4:51

On Sixteen Haiku and Other Stories, a slate of international guests help Akis Boyatzis and Sigmatropic recast their original, Greek-language interpretations of George Seferis’ poetry into English, in the process bringing the Nobel laureate’s evocative work to their own varied audiences. The recording’s guest list is rather impressive, from an indie standpoint at least. Shoving off with no less an eccentric talent than the inimitable Robert Wyatt, Sixteen Haiku drifts soundtrack-like through 22 unnamed pieces (“Haiku Five,” “Haiku Six,” etc.)

(…)

Sixteen Haiku and Other Stories is about words and voices. Wyatt, Laetitia Sadier, Alejandro Escovedo, and Edith Frost dress their performances in personal nuance, but never outpace the poetry itself. (The artfully simplistic couplets are included in the accompanying booklet, along with a brief Seferis bio.) “I am raising now/A dead butterfly/With no make-up,” Cat Power sings in “Haiku 10.” It’s brief at just over a minute. But the track’s atmospheric buzz is sold by Chan Marshall’s particular phrasing. This holds true throughout the album. Despite all the distinct personalities and their clever interpretations, no one piece ever really stands out. Instead, they each pour a spoonful of sparkling crystals into Sixteen Haiku and Other Stories’ rejuvenating mineral spring.

Johnny Loftus / AllMusic

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