MATMOS – The Rose Has Teeth In The Mouth Of A Beast – CD+Cards – OLE677-2

16,50 

1 / Roses And Teeth For Ludwig Wittgenstein / 3:24
2 / Steam And Sequins For Larry Levan / 5:20
3 / Tract For Valerie Solanas / 5:07
4 / Public Sex For Boyd McDonald / 5:52
5 / Semen Song For James Bidgood / 5:02
6 / Snails And Lasers For Patricia Highsmith / 5:52
7 / Germs Burn For Darby Crash / 4:10
8 / Solo Buttons For Joe Meek / 3:33
9 / Rag For William S. Burroughs / 13:52
10 / Banquet For King Ludwig II Of Bavaria / 3:23

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Electronic music is generally a sound-for-sound’s-sake proposition, offering either functional grooves for dancing’n’drugging or abstract bleepscapes for chilling’n’drifting. San Francisco duo Matmos are pioneers of a micro-trend that goes in the opposite direction. You could call it ‘conceptronica’: experimental techno that comes laden with content, often political. This kind of thing can get a bit ponderous, but happily, The Rose Has Teeth first and foremost captivates the ear sonically, with the album’s grand theme – each track is a ‘sound biography’ of a dead gay icon – simply adding an enjoyable bonus layer of intrigue. Most of the inspirational figures are avant-gardists or radicals of one sort or another. Ground-breaking gay sex chronicler Boyd McDonald, for instance, is commemorated with a woozy, mellow track that resembles a jazz-rock album warped after being left in a car boot on a hot summer day, while ‘Semen Song for James Bidgood’ is as voluptuous and fantastical as the photographer/ film-maker’s cult erotic movie Pink Narcissus.

Simon Reynolds / The Guardian

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