VARIOUS ARTISTS – Live At WOMAD 1982 – CD2 – CDRW245

23,14 

Disc 1
1 / The Musicians of The Nile: Tabla Iqae / 1:51
2 / The Beat: Mirror In The Bathroom / 3:28
3 / Pigbag: Big Bag / 6:46
4 / The Drummers of Burundi: Kama K’iwacu / 4:06
5 / Peter Gabriel: I Have The Touch / 5:12
6 / Robert Fripp: WOMAD II / 4:54
7 / Tian Jin Music and Dance Ensemble: Raindrops Pattering On Banana Leaves / 3:38
8 / Echo and The Bunnymen: Zimbo (with the Royal Burundi Drummers) / 4:51

Disc 2
1 / The Musicians of the Nile: Taksim Arghul / 3:28
2 / Salsa de Hoy: Salsa De Hoy / 5:32
3 / Rip Rig & Panic: You’re My Kind Of Climate / 5:13
4 / Mark Springer: Key Release / 1:50
5 / The Chieftains: Cotton-Eyed Joe / 2:38
6 / Simple Minds: Promised You A Miracle / 4:36
7 / Ekome: Gahu / 5:55
8 / Peter Hammill: A Ritual Mask / 5:36
9 / Peter Gabriel featuring Ekome: Biko / 6:05
10 / The Ivory Coasters featuring Prince Nico Mbarga: Wayo In-Law / 6:40
11 / Sasono Mulyo: Gamelan Gong Kebyar / 8:48

Disponível por encomenda a fornecedor

To those who were there and are no longer here, we miss you: Barrington Anderson (Ekome), Jonathan Arthur (WOMAD co-founder), Peter de Freitas (Echo And The Bunnymen), Alan James (Great Friend).

On the 15th of July 1982 I was dropped into the 240-acre Bath and West Showground, Somerset, after spending eighteen months with fellow co-founders organising a seminal event, with five stages and sixty bands, from over twenty countries. I ran around for several hours, before I was handed a walkie-talkie the size of shoebox. Breathe.

In October 1980 Thomas and I interviewed Peter Gabriel for our vinyl-with-magazine creation, The Bristol Recorder, later The Recorder. Peter generously gave us previously unreleased tracks for our record. After the interview we talked about a tape of Indonesian gamelan music that I had in my pocket, Thomas’s experience of South American music and Peter’s work with rhythms from various African countries. Peter called us soon after with an idea: to acknowledge the influence of non-Western music on successful Western bands and musicians and to create a wider audience for that music, by combining both in the same event — a festival celebrating music as a universal language.

Stephen Pritchard / Real World Records

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