While one still hears on occasion that the big bands are dead — and in this country, at least, many are on life support — Sweden, whose population is less than New York City’s, has today roughly 500 active big bands. Although it should be noted that the greater number of them are local amateur groups, the country boasts some world–class ensembles as well, one of which is the well–seasoned and finely tuned Tolvan Big Band from the area around Malmö. Tolvan has been in existence since the late ’60s and led since 1979 by alto saxophonist/composer Helge Albin (…).
While Albin’s charts aren’t imitative, for the sake of comparison think of Gil Evans, Maria Schneider, Jim McNeely, late–period Bob Brookmeyer or perhaps Bill Holman. Some are up-tempo, but none could reasonably be described as a flag–waver. Rather than employing a series of brassy sonic booms, Albin’s intricate charts come at the listener in layers, each one well–textured and requiring one’s wholehearted consideration. That’s not to say they don’t swing; they do, but not in the manner of Basie or Herman.
This isn’t for everyone, but those who appreciate a modern big band with plenty of meat on its bones should find it appetizing.