Combining musique concrete and the oriental theatre sounds of kabuki and Cantonese opera proved a little schematic, however, and soon, guided by the influence of Jacques Tati’s film Playtime, recording went in a different direction, focusing on the clash of early Modernist buzzwords (utopian design, fragmentary form, irrational themes) with slapstick. storytelling, and bathos. This framework allowed Momus to reconcile a love of the fragmented, right-brained sound of new experimental laptop groups like Scratch Pet Land, DAT Politics, Discom and Hypo (today’s ‘Formalists’ and ‘Modernists’) with his own particular evolution of the traditional song format — a unique mix of pastiche, unreliable narration, role playing, kulturkritik, and provocative comedy.
MOMUS – Oskar Tennis Champion – CD – ANALOG008CD
9,90 €
1 / Spooky Kabuki / 3:05
2 / Is It Because I’m A Pirate? / 3:26
3 / Multiplying Love / 1:29
4 / Scottish Lips / 2:59
5 / My Sperm Is Not Your Enemy / 2:23
6 / Oskar Tennis Champion / 4:10
7 / A Little Schubert / 3:37
8 / The Laird Of Inversnecky / 3:40
9 / The Last Communist / 5:01
10 / Pierrot Lunaire / 5:28
11 / Beowulf (I Am Deformed) / 4:29
12 / Electrosexual Sewing Machine / 3:51
13 / A Lapdog / 4:18
14 / Lovely Tree / 3:22
15 / Palm Deathtop / 3:20
The Ringtone Cycle by Oliver Cobol
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150 g
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