HEINER GOEBBELS – A House Of Call: My Imaginary Notebook – CD2 – ECM2728/29

37,60 

Disc 1:
I Stein Schere Papier
1 / Introitus (A Response To Répons) / 9:01
2 / Immer Den Gleichen Stein / 6:51
3 / Under Construction / 8:33
II Grain de la Voix
4 / Nu Stiri / 6:49
5 / Agash Ayak / 8:34
6 / 1346 / 6:10
7 / Krunk / 6:30

Disc 2:
III Wax And Violence
1 / Toccata (Vowels/Woven) / 6:21
2 / Achtung Aufnahme / 3:28
3 / Nun Danket Alle Gott / 3:09
4 / Ti Gu Go Inîga Mî = Some Of Them Say / 7:13
IV When Words Gone
5 / Bakakl – (Diálogo) / 5:00
6 / Schläft Ein Lied In Allen Dingen / 4:26
7 / Kalimérisma / 10:01
8 / What When Words Gone / 7:39

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First performed last year, Heiner Goebbels’s “phonographic collection from my imaginary notebook” is his first major orchestral work since the suite Surrogate Cities in 1994. He describes it as a cycle of invocations, prayers, poems and songs for a large orchestra, but, as always with Goebbels, it’s not as straightforward as that. The title comes from a line in James Joyce’s Finnegans Wake; in early 19th-century England, a “house of call” was a public space in which itinerant artisans could put their skills up for hire, and the 100-minute score creates a space in which recorded voices that Goebbels has sourced from wax cylinders, news reports and ethnographic sources can be given a political or historical context and a musical response.

Andrew Clements / The Guardian

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