CATHY BERBERIAN – Pop Art – LP – VNL1303

9,49 

A1 / Song Of Sexual Slavery (Kurt Weill) / 2:41
A2 / Le Grand Lustucru (Kurt Weill) / 2:18
A3 / Surabaya Johnny (Kurt Weill) / 4:48
A4 / Yesterday (Lennon-McCartney) / 1:54
A5 / Michelle (Lennon-McCartney) / 3:20
A6 / Ticket To Ride (Lennon-McCartney) / 2:01
B1 / Stripsody (Cathy Berberian) / 4:07
B2 / Sequenza III (Luciano Berio) / 7:10
B3 / Avendo Gran Disio (Luciano Berio) / 4:24
B4 / Tango-Pasodoble (William Walton) / 1:55
B5 / Tarantella (William Walton) / 1:16
B6 / Something Lies Beyond The Scene (William Walton) / 1:04
B7 / Fox-trot “Old Sir Faulk” (William Walton) / 2:10

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Catherine Anahid Berberian (July 4, 1925 – March 6, 1983) was an American mezzo-soprano and composer based in Italy. She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Silvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp Zu Eulenburg, arrangements of songs by The Beatles, and folk songs from several countries and cultures. As a composer, she wrote Stripsody (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), andMorsicat(h)y (1969), a composition for the keyboard (with the right hand only) based on Morse code.

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